Do you want to go through the hassle of figuring out which type of Lenses is right for which shot? Do you want to deal with the headache of product testing to make sure you’re really getting the best? Of course not!
That’s the invaluable service we offer at ASK Media. When you rent equipment from us, we take that weight off your back and place it on ours. Guess what? We love it! We’re video production equipment nerds to the fullest!
Arri Signature Primes 18, 25, 47, 75, 125
ARRI Signature Primes are modern, full frame (Large Format) ultra-high-end primes that deliver beautiful images free of nearly all aberrations including focus breathing. They are sharp, high-contrast lenses, with incredibly smooth, soft, bokeh. They are relatively light weight given their size, and their mechanics are second to none.
Sigma Cine Set 14, 20, 25, 35, 50, 85, 135
Designed for 6K-8K shooting, these lenses allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance.
Arri Ultra Primes 16, 24, 35, 50, 85
The Ultra Prime Lenses have the widest focal range of any 35mm prime lens set available to cover every cinematic need. Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame.
Arri Super Speeds MK1 18, 25, 35, 50, 85
The Zeiss Super Speeds have been a favorite of the film industry for over 30 years. They have a very fast aperture of T1.3 , small body, and flattering image rendition.
Angenieux EZ Set EX-1, EZ-2
Angenieux Optimo 28-76
The Optimo 28-76mm provides a superb balance between quality and agility. One of the lightest and most compact series of cine-style zoom lenses in the industry, these lenses are perfectly suited for use with modern lightweight digital cameras on Steadicam or hand-held.
Fujinon Cabrio 19-90
This is a standard zoom lens with a frequently-used focal length covering from 19 to 90mm. Thanks to the detachable servo drive unit on the ZK series, the lens can be operated in the same manner as a traditional broadcast ENG-Style lens and accessories. Furthermore, with the servo drive unit removed, traditional cinema manual, or external cine motors for zooming and focusing operation is also available.
DZO Pictor 20-55mm & 50-125mm T2.8
A parfocal cine lens, the DZO Pictor Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. The internal focus design with floating elements virtually eliminates focus breathing. It covers a Super35 image circle, comes standard with an interchangeable PL mount, and includes an EF mount.
Sony G-Master Lens Prime Series
High resolution and spectacular bokeh come together in one lens, providing new creative possibilities for imaging and art. Industry-leading actuator technology means faster, more precise focusing in manual or auto mode. Unerring focus precision helps to realize the full potential of these extraordinary lenses.
Sony G-Master Lens Zoom Series
Solid construction, comprehensive controls, and dust and moisture-resistant design are just a few of the features that add up to impeccable performance in any shooting situation.
Canon L Series
L-series lenses represent the very best in optical technology with faster performance and a whole new level of quality.