Cameras

The right equipment makes or breaks any media. Nowhere is this more apparent than in video production. Just think about the billions of subpar YouTube videos floating around the internet right now.

You wouldn’t use a Super 8 camera to shoot a commercial, right? You wouldn’t use an iPhone camera to shoot an instructional video, right? Well that’s exactly what you’re doing if you pick the wrong equipment.

With new and improved video production equipment being released regularly, it’s vital to have the most up-to-date cameras. Good quality media isn’t enough anymore, you need to be outstanding. Well, that’s where ASK Media step in.

ARRI Alexa Mini LF

Combining the compact size and low weight of the popular ALEXA Mini with the large format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI’s large-format camera system.

ARRI Alexa Mini

Compact, lightweight, and self-contained – ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family.

The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.

Red Gemini 5K

GEMINI 5K S35 leverages dual sensitivity modes to provide creators with greater flexibility for a variety of shooting environments. Whether capturing with GEMINI’s Standard Mode for well-lit conditions or its Low Light Mode for darker environments, RED EPIC-W 5K S35 delivers incredible dynamic range and produces cinema-quality images.

Red Komodo 6K

The RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality.

Sony PXW-FX9

Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area, providing a wider angle of view, making it easier to gain a shallower depth of field. You can also shoot with Super 35mm lenses without compromise, capturing at 4K in super 35 mm with all the benefits of this advanced imaging sensor.

Sony PXW-FS7

The camera reflects years of conversations Sony had with documentarians on viewfinder placement, grip design, balance and ergonomics. It also reflects Sony’s expertise in 4Ki and HD codecs, Super 35 sensors and memory recording. The result is the ideal camcorder for cinema verite documentaries, magazine shows, reality TV, unscripted TV and more.