Cameras

You wouldn’t use a Super 8 camera to shoot a commercial, right? You wouldn’t use an iPhone camera to shoot an instructional video, right? Well that’s exactly what you’re doing if you pick the wrong equipment.

With new and improved video production equipment being released regularly, it’s vital to have the most up-to-date cameras. Good quality media isn’t enough anymore, you need to be outstanding. Well, that’s where ASK Media step in.

ARRI Alexa 35

The ARRI ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor in 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, better low light performance, and richer colors. The new REVEAL Color Science takes full advantage of the sensor’s image quality, while ARRI Textures enhance in-camera creativity.

ARRI Alexa Mini

Compact, lightweight, and self-contained – ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family.

The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.

Red Gemini 5K

GEMINI 5K S35 leverages dual sensitivity modes to provide creators with greater flexibility for a variety of shooting environments. Whether capturing with GEMINI’s Standard Mode for well-lit conditions or its Low Light Mode for darker environments, RED EPIC-W 5K S35 delivers incredible dynamic range and produces cinema-quality images.

Red Komodo 6K

The RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality.

Sony PXW-FX9

Compared to a 4K Super 35­mm sensor, the FX9’s 6K sensor has over twice the surface area, providing a wider angle of view, making it easier to gain a shallower depth of field. You can also shoot with Super 35­mm lenses without compromise, capturing at 4K in super 35 mm with all the benefits of this advanced imaging sensor.

Sony ILME-FX6

Developed to offer versatile, cine-style imaging in a truly compact form, the FX6 Full-Frame Camera Kit from Sony has the ability to capture up to 15+ stops of dynamic range. With Sony’s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.

Sony ILME-FX3

The FX-3 brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today’s creative community. Compact and lightweight, it’s easy to carry and handle. A full-frame ultra compact camera with Fast Hybrid & Real-time Eye AF, the FX3 has 4K (Quad Full High Definition) high-frame-rate of 120fps, 15+ stop dynamic range, and S-Cinetone™ color science.

Sony PXW-FS7

The camera reflects years of conversations Sony had with documentarians on viewfinder placement, grip design, balance and ergonomics. It also reflects Sony’s expertise in 4Ki and HD codecs, Super 35 sensors and memory recording. The result is the ideal camcorder for cinema verite documentaries, magazine shows, reality TV, unscripted TV and more.